About Us
Edward Skeletrix is a multifaceted cultural enigma. He makes music, clothes, and visual content, at least. His career is longer than many know, musically beginning in 2013 under the stage name cight before in 2018 founding Syckli. He didn’t become Skeletrix until 2023. He was one of the first artists to heavily implement AI imagery into his works and online personas. Skeletrix’s aesthetic style is singular, unsettling, and obscure. His careful selection of imagery for his Instagram evokes a fresh and specific feeling, often playing with the uncanny edges of AI and digital imagery. Frequent use of skeletal and demonic visuals, coupled with a dim color pallet and rough resolution preference, gives his persona a darkly deep-digital affect. Museum Music, his most recent album, is a surreal and hyper-produced body of work rife with storytelling elements. It applies a deep-digital sound that compliments his visual persona. The album deals with absurdist themes and makes clear that Skeletrix is an investigator of the contemporary world, not just a particularly interesting participant. Music has never been Skeletrix’s sole or even primary focus. It is simply one medium through which he can convey his fresh and quintessentially contemporary aesthetic. He should be seen as an artist first and foremost, exploring what storytelling and aesthetic experiences look like in the virtual age. More than that though, Edward Skeletrix is a mystery. We asked him a few questions in an attempt to solve it.
Edward Skeletrix is a multifaceted cultural enigma. He makes music, clothes, and visual content, at least. His career is longer than many know, musically beginning in 2013 under the stage name cight before in 2018 founding Syckli. He didn’t become Skeletrix until 2023. He was one of the first artists to heavily implement AI imagery into his works and online personas. Skeletrix’s aesthetic style is singular, unsettling, and obscure. His careful selection of imagery for his Instagram evokes a fresh and specific feeling, often playing with the uncanny edges of AI and digital imagery. Frequent use of skeletal and demonic visuals, coupled with a dim color pallet and rough resolution preference, gives his persona a darkly deep-digital affect. Museum Music, his most recent album, is a surreal and hyper-produced body of work rife with storytelling elements. It applies a deep-digital sound that compliments his visual persona. The album deals with absurdist themes and makes clear that Skeletrix is an investigator of the contemporary world, not just a particularly interesting participant. Music has never been Skeletrix’s sole or even primary focus. It is simply one medium through which he can convey his fresh and quintessentially contemporary aesthetic. He should be seen as an artist first and foremost, exploring what storytelling and aesthetic experiences look like in the virtual age. More than that though, Edward Skeletrix is a mystery. We asked him a few questions in an attempt to solve it.
Edward Skeletrix is a multifaceted cultural enigma
Edward Skeletrix is a multifaceted cultural enigma. He makes music, clothes, and visual content, at least. His career is longer than many know, musically beginning in 2013 under the stage name cight before in 2018 founding Syckli. He didn’t become Skeletrix until 2023. He was one of the first artists to heavily implement AI imagery into his works and online personas. Skeletrix’s aesthetic style is singular, unsettling, and obscure. His careful selection of imagery for his Instagram evokes a fresh and specific feeling, often playing with the uncanny edges of AI and digital imagery. Frequent use of skeletal and demonic visuals, coupled with a dim color pallet and rough resolution preference, gives his persona a darkly deep-digital affect. Museum Music, his most recent album, is a surreal and hyper-produced body of work rife with storytelling elements. It applies a deep-digital sound that compliments his visual persona. The album deals with absurdist themes and makes clear that Skeletrix is an investigator of the contemporary world, not just a particularly interesting participant. Music has never been Skeletrix’s sole or even primary focus. It is simply one medium through which he can convey his fresh and quintessentially contemporary aesthetic. He should be seen as an artist first and foremost, exploring what storytelling and aesthetic experiences look like in the virtual age. More than that though, Edward Skeletrix is a mystery. We asked him a few questions in an attempt to solve it.